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Thursday, January 2, 2025

‘The Seed of the Sacred Fig’ Pits Politics In opposition to Household


This text incorporates spoilers for the movie The Seed of the Sacred Fig.

When the movie The Seed of the Sacred Fig begins, an Iranian lawyer named Iman (performed by Missagh Zareh) has simply been promoted to “investigating decide.” The place will get him the next wage, guarantees him an expensive three-bedroom dwelling—and arms him with a gun. Iman’s new position requires him to supply and ensure proof for prosecutors to make use of; that makes him a goal for these convicted by or searching for to sway Iran’s secretive Islamic Revolutionary Courtroom.

Iman intends to do his half properly. At dinner together with his spouse, Najmeh (Soheila Golestani), and their daughters, Rezvan (Mahsa Rostami) and Sana (Setareh Maleki), he informs the 2 youngsters of the hazards he faces. Rezvan and Sana look frightened, however they comply with assist hold him protected by not discussing his work exterior their dwelling. Iman isn’t simply their father and their household’s breadwinner: He’s their hero too.

Till he’s not. By the top of the writer-director Mohammad Rasoulof’s movie, in theaters now, Iman has remodeled from the sympathetic patriarch right into a vindictive and terrifying villain. His latent paranoia and rising incapability to separate his work life—the place he’s really rubber-stamping convictions, not investigating them—from his dwelling life flip him into his household’s very personal autocrat. The Seed of the Sacred Fig itself shape-shifts from a quiet research of a close-knit foursome right into a high-octane thriller. The movie is, because of this, a portrait of how Rasoulof perceives the systematic oppression inside his dwelling nation, from which he’s now exiled. The federal government’s rejection of its residents’ efforts for change is private to him—as devastating and painful, the movie suggests, as having a father flip in opposition to his personal flesh and blood.

Rasoulof, certainly one of Iran’s most prolific administrators, has stated that he had meant to proceed working within the nation, regardless of repeated roadblocks and bans on his movies. But spending his profession telling tales about those that take part in state-sponsored violence—together with interrogators, executioners, and torturers—and exposing the regime’s brutality has made him a prison to Iranian officers. In 2010, he was arrested for making an attempt to make a film about demonstrations following the 2009 presidential election; in 2022, he served jail time for signing a petition condemning the federal government’s actions. Rasoulof shot Sacred Fig in secret, watching the set from a distance to keep away from calling consideration to himself or his manufacturing. When he was sentenced to eight years in jail shortly after he completed filming, he determined to flee Iran. He arrived in Germany following a monthlong journey, simply in time to wrap the film earlier than its debut on the Cannes Movie Pageant, the place it gained a Particular Jury Award.

The Iranian authorities’s crackdown on dissenters affected Rasoulof’s each step in making Sacred Fig, but it surely additionally offered the supply of the movie’s uncooked energy. The story takes place as the Lady, Life, Freedom protests of 2022, which started after a lady died whereas held in police custody for allegedly not sporting a hijab, kick off all through Tehran; unable to stage reenactments within the open, Rasoulof interspersed real-life footage of the demonstrations all through the movie. Iman dismisses his daughters’ issues that the media are censoring this imagery, and the inclusion of genuine recordings emphasizes that he’s denying actuality—each his and the viewers’ personal. His refusal to take his daughters severely—which stems from his steadfast dedication to his personal beliefs—leads them to distrust him in flip, making a grim, seemingly unbreakable cycle.

The movie takes a heart-wrenching flip when Iman can now not discover the gun he’d been given, and he begins to suspect his youngsters of stealing it. Rasoulof had fastidiously portrayed him as a faithful household man: He prays with Najmeh every morning. When he drives his daughters dwelling, they go to sleep within the again seat. Rezvan and Sana watch dwelling movies of him for consolation. His spouse and daughters due to this fact discover it unthinkable that Iman could possibly be so devoted to his work—work they see as immoral—that he’d select to consider the regime over them. Viewers could wrestle to just accept this too, particularly greater than an hour into the movie; scenes of Iman taking them to an interrogator, ordering them to admit to stealing his gun on digital camera, and locking them into separate rooms could be particularly uncomfortable to observe.

By the point Iman begins chasing his spouse and daughters round an deserted village whereas brandishing a gun, his conduct is now not shocking. The movie’s tonal shift, nonetheless, caught me off guard. The pursuit sequence appears preposterous at first; it resembles a Hollywood Western a few bounty hunter stalking his prize, not the intimate household drama that was enjoying out only some scenes earlier. But the change helps Sacred Fig set up Iman because the household’s private demon, somebody past saving. The staging—characters dart into hiding spots and leap throughout rooftops—conveys simply how menacing Iman has turn into, and simply how terrified the ladies are of somebody they thought they knew. Rasoulof then ends the movie with extra footage of the 2022 protests. These clips stand in sharp distinction with the heightened moments that got here proper earlier than them, capturing the surreality of the nation’s turmoil. The emotional actuality of residing in Iran whereas holding views that oppose the state, the film suggests, is anxiety-inducing—nearly unfathomably so for many who have by no means handled such restrictions.

Iman is an effective man, however even a great man could be hopelessly corrupted. He believes that his nation has his greatest pursuits at coronary heart and that his actions are literally defending these round him. His household’s resistance simply intensifies his dedication to make them obey him, even on the expense of their affection. But by denying them their humanity and the chance to develop their very own beliefs, he turns into a stark illustration of the insecurity and concern that fortifies the regime he serves. “In my own residence, I don’t really feel protected,” Iman complains after he misplaces his gun. He’s not the one one.

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